How do you give a visual makeover to a classic tale that’s centered around appearances? That was the question facing Oscar-nominated costume designer Massimo Cantini Parrini when he began work on “Cyrano,” and he had 26 days to figure it out.
How do you give a visual makeover to a classic tale that’s centered around appearances? That was the question facing Oscar-nominated costume designer Massimo Cantini Parrini when he began work on “Cyrano,” and he had 26 days to figure it out.
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