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Directly from the Graceland Exhibition at the Bendigo Art Gallery

In conjunction with hundreds of elements, small and large, unassuming and diamond-studded in the new Elvis exhibition at the Bendigo Art Gallery, a handful stopped Priscilla Presley in her tracks on her pre-opening private tour, bursting with deep memories and emotions.

A set of bongos. A wedding dress. A crisp white suit. And an old, good thumb copy of The Propheta book of prose poems by Kahlil Gibran.

Priscilla Presley at the launch of the new exhibition at the Bendigo Art Gallery, Elvis: Directly from Graceland. Credit:Justin McManus

The bongos were their first Christmas present for Elvis: it was 1959 and 14-year-old Priscilla Beaulieu, the daughter of an Air Force captain, fell in love with the 24-year-old singer, already a star who was. designed and based in the army in Germany.

She scoured Wiesbaden for a gift for the man who seemed to have everything he wanted, and settled on the $ 45 bongos (her father paid for them). “Bongos! Just what I always wanted,” Elvis said as he opened the gift.

Elvis and Priscilla Presley on their wedding day in 1967.

The wedding dress, of course. It was 1967 and she had to shop quietly: “We did not want the publicity, we did not want the fanfare”, she recalls – there were some fans who were not happy to see the Elvis from the market. So she would go to out-of-the-way Los Angeles wedding dress shops with one of Presley’s retinues who would look like her boyfriend. “Finally I got one. I wanted it very simple, I did not want it to be shiny in any way.

Then there was the costume: the one he wore to sing If I can dreamthe heartbreaking finale of his ’68 Comeback Specialhis first performance in almost a decade after he tired of the Hollywood grind and shifted his passion for live music reignite.

Amazingly, it was the first time Priscilla saw Elvis live. She saw him in a new light at that moment, and in the Las Vegas shows that followed.

“I became a fan,” she says. “I could not believe what I saw and it was like, ‘Oh my God.’ This is what I loved about him … it was just a beautiful sight – how he performed, how he moved, how comfortable he felt.